'Short-term gender reversals in ritual, carnivale and theatre may provide symbolic challenges to conventional categories, but cross-gender impersonation is often highly stereotypical, usually serving to reinforce, for the audience, local ideas of femininity or masculinity as much as they challenge them.'
When it comes to men playing women I would agree (see post below about Love's Labour's Lost) but I'm not sure the same can be said when women play men. Then, there seems to be an effort to neutralise one's physical sex, rather than stereotype someone else's. I'll be interested to see how the upcoming Julius Caesar fits in with this.
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